Page:Moral Obligation to be Intelligent.djvu/154

 brother, who in the poem speaks for Milton—

Yet virtue is enthralled, and it is the grace of heaven, not the lady's innocence, that releases her. In Paradise Lost Milton still clings, poet-like, to the magic of beauty, but the magic of being right he gives over, preferring to read man's fortunes dramatically, as the inevitable result of his choice among fixed laws. He holds to the dramatic attitude in Sampson Agonistes, although he does represent the giant's strength as still residing in his hair. This survival of primitive magic, however, is only figurative, a symbol of moral power lost and regained. Having given his allegiance to what he