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 ered and the rowers took to their oars. Sylvia demanded her turn, and wrestled with one big oar while Warwick sat behind and did the work. Having blistered her hands and given herself as fine a color as any on her brother's palette, she professed herself satisfied, and went back to her seat to watch the evening-red transfigure earth and sky, making the river and its banks a more royal pageant than splendor-loving Elizabeth ever saw along the Thames.

Anxious to reach a certain point, they rowed on into the twilight, growing stiller and stiller as the deepening hush seemed to hint that Nature was at her prayers. Slowly the Kelpie floated along the shadowy way, and as the shores grew dim, the river dark with leaning hemlocks or an overhanging cliff, Sylvia felt as if she were making the last voyage across that fathomless stream where a pale boatman plies and many go lamenting.

The long silence was broken first by Moor's voice, saying—

"Adam, sing."

If the influences of the hour had calmed Mark, touched Sylvia, and made Moor long for music, they had also softened Warwick. Leaning on his oar he lent the music of a mellow voice to the words of a German Volkslied, and launched a fleet of echoes such as any tuneful vintager might have sent floating down the Rhine. Sylvia was no weeper, but as she listened, all the day's happiness which had been pent up in her heart found vent in sudden tears, that streamed down noiseless and refreshing as a warm south rain. Why they came she could not tell, for neither song nor singer possessed the power to win so rare a tribute, and at another time, she would have restrained all visible expression of this indefinable yet sweet emotion. Mark and Moor had joined in the burden of the song, and