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 done, and giving to each line a depth of expression that made the serious countenance singularly lifelike and attractive.

Now Moor saw where Warwick got both keen eyes and tender mouth, as well as all the gentler traits that softened his strong character; and felt that no other woman ever had or ever would hold so dear a place as the old mother whose likeness he had drawn and hung where other men wear images of mistress or of wife. With a glance as full of penitence as the other had been of disquiet, Moor laid back the little case, drew bandage and blouse over both wound and picture, and linked his arm in Warwick's as he asked—

"Who shot you?"

"How can I tell? I knew nothing of it till that flock of women fell to kissing these dirty hands of mine; then I was conscious of a stinging pain in my shoulder, and a warm stream trickling down my side. I looked to see what was amiss, whereat the good souls set up a shriek, took possession of me, and for half an hour wept and wailed over me in a frenzy of emotion and good-will that kept me merry in spite of the surgeon's probes and the priest's prayers. The appellations showered upon me would have startled even your ears, accustomed to soft words. Were you ever called 'core of my heart,' 'sun of my soul,' or 'cup of gold'?"

"Cannonading suits your spirits excellently; I remember your telling me that you had tried and liked it. But there is to be no more of it, I have other plans for you. Before I mention them tell me of the interview with Garibaldi."

"That now is a thing to ask one about; a thing to talk