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 pick it up, down swept the long curls over either cheek; thus, when she fell to work again, nothing of her face was visible but a glimpse of forehead, black lashes and faintly smiling mouth. Moor led the conversation to other topics, and was soon deep in an art discussion with Mark and Miss Dane, while Prue and Jessie chatted away on that safe subject, dress. But Sylvia worked silently, and Warwick still leaned there watching the busy hand as if he saw something more than a pretty contrast between the white fingers and the scarlet silk.

When the other guests had left, and Faith and himself had gone to their rooms, Warwick, bent on not passing another sleepless night full of unprofitable longings, went down again to get a book. The library was still lighted, and standing there alone he saw Sylvia, wearing an expression that startled him. Both hands pushed back and held her hair away as if she scorned concealment from herself. Her eyes seemed fixed with a despairing glance on some invisible disturber of her peace. All the light and color that made her beautiful were gone, leaving her face worn and old, and the language of both countenance and attitude was that of one suddenly confronted with some hard fact, some heavy duty, that must be accepted and performed.

This revelation lasted but a moment, Moor's step came down the hall, the hair fell, the anguish passed, and nothing but a wan and weary face remained. But Warwick had seen it, and as he stole away unperceived he pressed his hands together, saying mournfully within himself, "I was mistaken. God help us all."