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 that love was new to her. He had planned many graceful illustrations for his tale, and rounded many smoothly-flowing sentences in which to unfold it. But the emotions are not well bred, and when the moment came nature conquered art. No demonstration seemed beautiful enough to grace the betrayal of his passion, no language eloquent enough to tell it, no power strong enough to hold in check the impulse that mastered him. He went to her, knelt down upon the cushion at her feet, and lifting to her a face flushed and fervent with the ardor of a man's first love, said impetuously—

"Sylvia, read it here!"

There was no need for her to look; act, touch, and tone told the story better than the most impassioned speech. The supplication of his attitude, the eager beating of his heart, the tender pressure of his hand, dispelled her blindness in the drawing of a breath, and showed her what she had done. Now neglected warnings, selfish forgetfulness, and the knowledge of an unconscious but irremediable wrong frightened and bewildered her; she hid her face and shrunk back trembling with remorse and shame. Moor, seeing in her agitation only maiden happiness or hesitancy, accepted and enjoyed a blissful moment while he waited her reply. It was so long in coming that he gently tried to draw her hands away and look into her face, whispering like one scarcely doubtful of assent—

"You love me, Sylvia?"

"No."

Only half audible was the reluctant answer, yet he heard it, smiled at what he fancied a shy falsehood, and said tenderly—

"Will you let me love you, dear?"