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 In Mark he saw his ardor for the beautiful, his love of the poetic, his reverence for genius, virtue, heroism. But here too the subtle blight had fallen. This son, though strong in purpose was feeble in performance; for some hidden spring of power was wanting, and the shadow of that earlier defeat chilled in his nature the energy which is the first attribute of all success. Mark loved poetry, and "wrote in numbers for the numbers came;" but, whether tragic, tender, or devout, in each attempt there was enough of the divine fire to warm them into life, yet not enough to gift them with the fervor that can make a line immortal, and every song was a sweet lament for the loftier lays that might have been. He loved art and gave himself to it; but though studying all forms of beauty he never reached its soul, and every effort tantalized him with fresh glimpses of the fair ideal which he could not reach. He loved the true, but high thoughts seldom blossomed into noble deeds; for when the hour came the man was never ready, and disappointment was his daily portion. A sad fate for the son, a far sadder one for the father who had bequeathed it to him from the irrecoverable past.

In Sylvia he saw, mysteriously blended, the two natures that had given her life, although she was born when the gulf between regretful husband and sad wife was widest. As if indignant Nature rebelled against the outrage done her holiest ties, adverse temperaments gifted the child with the good and ill of each. From her father she received pride, intellect, and will; from her mother passion, imagination, and the fateful melancholy of a woman defrauded of her dearest hope. These conflicting temperaments, with all their aspirations, attributes, and inconsistencies, were woven into a nature fair and faulty; ambitious, yet not