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 ing occurred to make words agreeable or necessary, he proved that he understood the art of silence, and sat with those vigilant eyes of his fixed upon whatever object attracted them. Just then the object was a bright band slipping round the chair-back, with a rapidity that soon produced a snarl, but no help till patient fingers had smoothed and wound it up. Then, with the look of one who says to himself, "I will!" he turned, planted himself squarely before Sylvia, and held out his hands.

"Here is a reel that will neither tangle nor break your skeins, will you use it?"

"Yes, thank you, and in return I'll wind your color first."

"Which is my color?"

"This fine scarlet, strong, enduring, and martial, like yourself."

"You are right."

"I thought so; Mr. Moor prefers blue, and I violet."

"Blue and red make violet," called Mark from his corner, catching the word "color," though busy with a sketch for a certain fair Jessie Hope.

Moor was with Mr. Yule in his study, Prue mentally wrapped in her blanket, and when Sylvia was drawn into an artistic controversy with her brother, Warwick fell into deep thought.

With the pride of a proud man once deceived, he had barred his heart against womankind, resolving that no second defeat should oppress him with that distrust of self and others, which is harder for a generous nature to bear, than the pain of its own wound. He had yet to learn that the shadow of love suggests its light, and that they who have been cheated of the food, without which none can truly live, long for it with redoubled hunger. Of late he had been