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 AUTHOR'S PREFACE

HE history of this beautiful lady is to speak for itself; if it is not as beautiful as the lady herself is reported to be; if it is not as diverting as the reader can desire, and much more than he can reasonably expect; and if all the most diverting parts of it are not adapted to the instruction and improvement of the reader, the relator says it must be from the defect of his performance; dressing up the story in worse clothes than the lady, whose words he speaks, prepared for the world.

He takes the liberty to say that this story differs from most of the modern performances of this kind, though some of them have met with a very good reception in the world. I say, it differs from them in this great and essential article, namely, that the foundation of this is laid in truth of fact; and so the work is not a story, but a history.

The scene is laid so near the place where the main part of it was transacted that it was necessary to conceal names and persons, lest what cannot be yet entirely forgot in that part of the town should be remembered, and the facts traced back too plainly by the many people yet living, who would know the persons by the particulars.

It is not always necessary that the names of persons should be discovered, though the history may be many ways useful; and if we should be always obliged to name the persons, or not to relate the story, the consequence might be only this—that many a pleasant and delightful history would be buried in the dark, and the world deprived both of the pleasure and the profit of it.

The writer says he was particularly acquainted with this lady's first husband, the brewer, and with his father, and also with his bad circumstances, and knows that first part of the story to be truth.

This may, he hopes, be a pledge for the credit of the rest, though the latter part of her history lay abroad, and could not be so well vouched as the first; yet, as she has told it herself, we have the less reason to question the truth of that part also.

In the manner she has to the story, it is evident she does not insist upon her justification in any one part of it; much less does she recommend her conduct, or, indeed, any part of it, except her repentance, to our imitation. On the contrary, she makes frequent excursions, in a just censuring and condemming her own practice. How often does she reproach herself in the most passionate manner, and guide us to just reflections in the like cases!

It is true she met with unexpected success in all her wicked courses; but even in the highest elevations of her prosperity she makes frequent acknowledgments that the pleasure of her wickedness was not worth the repentance; and that all the satisfaction she had, all the joy in the view of her prosperity—no, nor all the wealth she rolled in, the gaiety of her appearance, the equipages and the honours she was attended with, could quiet her mind, abate the reproaches of her conscience, or procure her an hour's sleep when just reflection kept her waking.

The noble inferences that are drawn from this one part are worth all the rest of the story, and abundantly justify, as they are the professed design of, the publication. 13