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the country of Lope de Vega and Calderón de la Barca, it was not to be supposed, that on the general revival of the national literature, the drama could be left neglected, in a state unworthy of its ancient reputation. From the time of those great writers until the present, notwithstanding the predilection of the Spanish people for the stage, and the encouragement consequently given for genius to exert itself, no dramas had been produced to equal them in the public admiration. The younger Moratin, who may be justly termed the Spanish Molière, had rather introduced into Spain a new style of drama, that which we call genteel comedy, than followed the track of the ancient masters. It was reserved for a later writer, the subject of this notice, to appear as a rival to them in the exuberance of composition, and possession of popular favour, though it may be a question for future ages to decide on his relative merit.

Breton de los Herreros was born at Quel, a small village in the province of Logronio, the 19th December, 1796. Of his early history, we are only informed that he was educated at the school of San Antonio Abad at Madrid, and that he