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 an extensive variety, not resembling Fielding in detail, but like him, copying from life—excelling in strength of delineation and in humour of colouring. Less comprehensive in range, but acute in observation, picturesque in description, interesting in tale, impressive in character, and pathetic in incident, situation, and feeling, Charlotte Smith headed a different species of just representers of conduct, character, and passion. From the strong, but somewhat coarse and farcical satire of a Roderic and honest Strap, to the delicate tenderness of Adelina, Emeline, and Godolphin, the various classes of the comic epopee, appear to have been exemplified by masterly writers, all adhering to existing or probable archetypes. The Recess and Emma Corbet, verging to the province of Melpomene rather than Thalia, are still imita