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 Eloquence, at another the "patter" of the music-hall artist who must tickle the taste of the "gods" in a transpontine "gallery."

In the Unionist party at the present time are two men, the one, alas! silent, the other in the prime of his activity and powers, to whom true eloquence cannot be denied. These are Lord Rathmore, better known when in the Lower House as Mr. David Plunket, and Lord Hugh Cecil, the youngest son of the late Lord Salisbury.

Mr. Plunket started with an inherited talent for oratory, for he was the grandson of one of Ireland's most famous orators, Lord Plunket. A fine presence, an easy manner, a musical voice (from which, as soon as he had cast loose, a stammer that somewhat impedes his utterance in ordinary conversation, entirely disappeared), and a command of picturesque and stately language, made him for over twenty years one of the favourites of the House of Commons. His best speeches were probably those on the Extension of the Household Franchise in Ireland in 1885, and on the Welsh Church Bill in 1895. But Mr. Plunket had not only the gifts but also the sensitive temperament of the orator. It was always an effort and anguish to him to speak, and, withdrawn into the sepulchral shades of the Upper Chamber in 1895, he relapsed into a silence which has never since been broken.

Fortunately Lord Hugh Cecil suffers from no such self-imposed repression. His earnest swaying figure, his eager, high-pitched voice, are seen and heard in every important debate, and on many provincial platforms. His speaking is always intellectual, much of it is hard hitting and fierce. But from time to time the fire of eloquence is ignited on his lips, and the House is hushed to silence as it listens to words that combine the charm of music with the rapture of the seer. I will quote three such passages. The first was in a debate on the Resolutions preliminary to the Parliament Bill on March 30th, 1910:

"I look upon our Constitution with something much more than the