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 Parisian mob breaking into her apartments, and the swords of ruffians drawn for her destruction, and lamenting followed her dragged in triumph by a banditti of ruffians. The scene being changed he was carried into the National Assembly. There the dramatist exhibited pedlars and excisemen engaged in financial legislation; country curates as new modelling the church, and country attornies as establishing a code of laws for the government of an empire; with a side prospect of fishwomen taking their seats in the senate, while a mob hallooed behind the scenes. The imagery and pathos of the bard and orator made the first impression. Reflecting, however, that the production was not exhibited for the purpose of theatrical effect, but intended to present facts, enforce conviction, and influence conduct, he returned to examine it in those lights. He