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 circumstances ever arisen to bring that passion violently into action. I have endeavoured also distinctly to discriminate the inferior characters, because they, not being allowed to exhibit violent passion, lest they mould too much interfere with the principal object, had more need of such distinct discrimination to prevent them from being altogether insignificant, and to prevent each play from becoming a mere picture of passion which might be tedious and heavy to an audience accustomed to variety of character and incident. This I have done, how unskilfully soever I may have done it, with a hope, which I will not yet abandon, that some of the dramas belonging to that work may hereafter be thought worthy of being admitted into that class of plays to which I am so desirous of adding something. However, I am sensible that, were those plays more successful than I dare flatter myself to expect, they all require too much power of expression and delicacy of discrimination in the actor who represents the principal character—the whole depends too much on the exertion of one individual, and such a one too as can very rarely be found, ever to become plays that will commonly be brought upon the stage. Convinced of this,