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 Perhaps in the conduct of this tragedy I have sometimes weakened the interest of it by attending too much to magnificence and show. But it was intended for a large theatre, where a play is rather looked at than listened to, and where, indeed, by a great proportion of the audience, it cannot be heard; and though I might now very easily remove that show, yet to place in its stead what it has most probably kept back, would be almost impossible. For that which has probably been prevented by it, should have been woven and incorporated into the original texture of the piece, and cannot afterwards be inferred here and there in streaks and patches. It has also, I am inclined to believe, received some injury from my having had, when I sketched my two chief characters, the actors who I intended should represent them, too much in my thoughts. This is a fault, and I am sensible it is so: but those who have seen and admired the great powers of those actors in the highest line of tragedy, will easily admit that I have not sinned, without a strong temptation. I hope also that this, standing alone, as a single offence of the kind, amongst a considerable number of plays which, if I live long enough, my present task will probably increase to, may be forgiven.

I am sensible there is not that strength and compactness of plot; that close connection of events producing one another in this play, which is a great perfection in every dramatic work, and which I am sorry to say is a perfection that is not to be found