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 the two tragedies; where, if they do not enjoy a brilliant sunshine, they may at least have a little flickering of the sunbeams to play upon them as they pass from one sombre gloom to another. It has lain by me for many years, and has received a very few inconsiderable alterations.

The last play of this volume was written in the hope of being brought out upon our largest theatre, enriched as it then was by two actors whose noble appearance and strong powers of expression seemed to me peculiarly suited to its two principal characters. The subject of it is taken from Gibbon's account of the siege of Constantinople by the Turks. It was a subject that pressed itself upon me, at a time when I had no thoughts of writing at all, and (if I may use the expression) would be written upon. The character there displayed of Constantine Paleologus, the last of the Cæsars, a modest, affectionate, domestic man; nursed in a luxurious court in habits of indulgence and indolence; without ambition, even without hope, rousing himself up on the approach of unavoidable ruin; and deserted by every christian prince in Europe, deserted by his own worthless and enervated subjects, supported alone by a generous band, chiefly of strangers, devoting themselves to him from generous attachment;—to see him thus circumstanced, nobly fronting the storm, and perishing as became the last of a long line of kings, the last of the Romans;—this was a view of man—of noble and dignified exertion which it was impossible for me to resist, though well