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 true and false images. To take an analogous example: we are given a sheet of proofs to correct, we delete certain redundant letters, and, although they are printed with the same type as the other letters, we have the right to say they are false. Again, in a musical air, we may hear a false note, though it is as real as the others, since it has been played. This distinction between reality and truth ought to be likewise applied to mental images. All are real, but some are false. They are false when they do not accord with the whole reality; they are true when they agree; and every image is partly false because, being an image, it does not wholly accord with the actual perceptions. It creates a belief in a perception which does not occur; and by developing these ideas we could easily demonstrate how many degrees of falsehood there are.

Physiologically, we may very easily reconcile the falsity of the image with the physical character of the impression on which it is based. The image results from a partial cerebral excitement, which sensation results from an excitement which also acts upon the peripheral sensory nerves, and corresponds to an external object—an excitant which the image does not possess. This difference explains how it is that the image, while resulting from a physical impression, may yet be in a great number of cases declared false—that