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 seven candlesticks, four on the north and three on the south side they are blue with white knops and have long tapering candles. Next come two more seraphs, holding books in one hand and small flags or lances with pennons in the other. Beyond these, and close to the chancel arch, we find, on the south side, St. Peter, nimbed, with a key in his right hand and a book in his left. On the north side a figure of the Blessed Virgin, carrying a book; she seems to have no nimbus, but her head is covered with a veil or hood, surmounted by a sort of mural crown.

All these figures are painted on a red field covering the top of the vault. This red field or broad band is bounded by a white stripe on each side, and is stopped at the east and west ends by bands of an interlaced pattern, which are carried all round the vault and walls against the end walls. The side walls of the chancel are each divided into two unequal parts by windows near the east end.

The northern window is very perfect. The inner and outer arches have bands of colour, and the splay of the jambs and arch is covered with a chess-board pattern in squares of red, blue, and white. The southern window is much injured, but there remains above it, as above the other, a painted canopy of walls and towers. To the west of the windows the wall space is covered on each side by six large arch-headed niches, in which are seated figures of the twelve Apostles. They are all nimbed, and hold books. St. Peter, who occupies the eastern-most niche on the north side, is distinguished by a large key, which he holds under his left arm. The others have no distinguishing symbol. They are not arranged in pairs, as is so often the case, but are all looking up towards the central figure of Christ. Below the feet of the Apostles there is an ornamental band or frieze, looking something like a rude inscription, but all painting below it is lost, if it ever existed.

Eastward of the two side windows are a pair of niches, rather wider than those occupied by the Apostles. In each is a figure without nimbus, and holding a staff in each hand, one resting on the shoulder and the other used as a support, suggesting the idea that these figures represent pilgrims. Both wear long tunics, with mantles fastened on the shoulder and the southern one has a hat of the usual pilgrim form.

The east end has one window with round arched head, concentric with the vault. Below it is a band of interlaced pattern, like that at the ends of the vault. Over this window are three roundels, each containing a half-length figure of a nimbed angel with a scroll, and on each side there has been a large arched niche. The northern one has been completely destroyed by a mural monument which was fixed there, but in the other niche is a very perfect figure of a bishop. He is habited in mass vestments, the right hand is raised in benediction and the left holds a pastoral staff. The chasuble is dark blue or purple, lined with yellow; it is short in front and long behind, as we find in other examples of the same date. There is a broad white orphrey down the front, with a diaper pattern embroidered on it. The dalmatic is white, and reaches to the feet, so that the alb and stole are not visible. The maniple is blue, and very narrow, with expanding