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 of men)—nevertheless, he would not turn away from this crushed fellow-mortal whose aid he had used, and make a pitiful effort to get acquittal for himself by howling against another. “I shall do as I think right, and explain to nobody. They will try to starve me out, but” he was going on with an obstinate resolve, but he was getting near home, and the thought of Rosamond urged itself again into that chief place from which it had been thrust by the agonised struggles of wounded honour and pride.

How would Rosamond take it all? Here was another weight of chain to drag, and poor Lydgate was in a bad mood for bearing her dumb mastery. He had no impulse to tell her the trouble which must soon be common to them both. He preferred waiting for the incidental disclosure which events must soon bring about.

Middlemarch a wife could not long remain ignorant that the town held a bad opinion of her husband. No feminine intimate might carry her friendship so far as to make a plain statement to the wife of the unpleasant fact known or believed about her husband; but when a woman with her thoughts much at leisure got them suddenly employed on something grievously disadvantageous to her neighbours, various moral impulses were called into play which tended to stimulate utterance. Candour was one. To be candid, in Middlemarch phraseology, meant, to use an early opportunity of letting your friends know that you did not take a cheerful view of their capacity, their conduct, or their position; and a robust candour never waited to be asked for its opinion. Then, again, there was the love of truth—a wide phrase, but meaning in this relation, a lively objection to seeing a wife look happier than her husband’s character warranted, or mamfestmanifest [sic] too much satisfaction in her lot: the poor thing should have some hint given her that if she knew the truth she would have less complacency in her bonnet, and in light dishes for a supper-party. Stronger than all, there was the regard for a friend’s moral improvement, sometimes called her soul, which was likely to be benefited by remarks tending to gloom, uttered with the accompaniment of pensive staring at the furniture and a manner implying that the speaker would not tell what was on her mind, from regard to the feelings of her hearer. On the whole, one might say that an ardent charity was at work setting the virtuous mind to make a neighbour unhappy for her good.

There were hardly any wives in Middlemarch whose matrimonial