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 Fred was not at all coarse, that he rather looked down on the manners and speech of young men who had not been to the university, and that he had written stanzas as pastoral and unvoluptuous as his flute-playing, his attraction towards Bambridge and Horrock was an interesting fact which even the love of horse-flesh would not wholly account for without that mysterious influence of Naming which determinates so much of mortal choice. Under any other name than “pleasure” the society of Messieurs Bambridge and Horrock must certainly have been regarded as monotonous; and to arrive with them at Houndsley on a drizzling afternoon, to get down at the Red Lion in a street shaded with coal-dust, and dine in a room furnished with a dirt-enamelled map of the county, a bad portrait of an anonymous horse in a stable, His Majesty George the Fourth with legs and cravat, and various leaden spittoons, might have seemed a hard business, but for the sustaining power of nomenclature which determined that the pursuit of these things was “gay.”

In Mr Horrock there was certainly an apparent unfathomableness which offered play to the imagination. Costume, at a glance, gave him a thrilling association with horses (enough to specify the hat-brim which took the slightest upward angle just to escape the suspicion of bending downwards), and nature had given him a face which by dint of Mongolian eyes, and a nose, mouth, and chin seeming to follow his hat-brim in a moderate inclination upwards, gave the effect of a subdued unchangeable sceptical smile, of all expressions the most tyrannous over a susceptible mind, and, when accompanied by adequate silence, likely to create the reputation of an invincible understanding, an infinite fund of humour—too dry to flow, and probably in a state of immovable crust,—and a critical judgment which, if you could ever be fortunate enough to know it, would be the thing and no other. It is a physiognomy seen in all vocations, but perhaps it has never been more powerful over the youth of England than in a judge of horses.

Mr Horrock, at a question from Fred about his horse’s fetlock, turned sideways in his saddle, and watched the horse’s action for the space of three minutes, then turned forward, twitched his own bridle, and remained silent with a profile neither more nor less sceptical than it had been.

The part thus played in dialogue by Mr Horrock was terribly effective. A mixture of passions was excited in Fred—a mad desire to thrash Horrock’s opinion into utterance, restrained by anxiety to retain the advantage of his friendship. There was always the chance that Horrock might say something quite invaluable at the right moment.

Mr Bambridge had more open manners, and appeared to give forth his ideas without economy. He was loud, robust, and was sometimes spoken of as being “given to indulgence”—chiefly in swearing, drinking, and beating his wife. Some people who had lost by him called him a vicious man; but he regarded horse-dealing as the finest of the arts, and might have argued plausibly that it had nothing to do with