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 outside life and make it no better for the world, pains one. It spoils my enjoyment of anything when I am made to think that most people are shut out from it."

"I call that the fanaticism of sympathy," said Will, impetuously. "You might say the same of landscape, of poetry, of all refinement. If you carried it out you ought to be miserable in your own goodness, and turn evil that you might have no advantage over others. The best piety is to enjoy—when you can. You are doing the most then to save the earth’s character as an agreeable planet. And enjoyment radiates. It is of no use to try and take care of all the world; that is being taken care of when you feel delight—in art or in anything else. Would you turn all the youth of the world into a tragic chorus, wailing and moralising over misery? I suspect that you have some false belief in the virtues of misery, and want to make your life a martyrdom." Will had gone further than he intended, and checked himself. But Dorothea’s thought was not taking just the same direction as his own, and she answered without any special emotion—

"Indeed you mistake me. I am not a sad, melancholy creature. I am never unhappy long together. I am angry and naughty—not like Celia: I have a great outburst, and then all seems glorious again. I cannot help believing in glorious things in a blind sort of way. I should be quite willing to enjoy the art here, but there is so much that I don’t know the reason of—so much that seems to me a consecration of ugliness rather than beauty. The painting and sculpture may be wonderful, but the feeling is often low and brutal, and sometimes even ridiculous. Here and there I see what takes me at once as noble—something that I might compare with the Alban Mountains or the sunset from the Pincian Hill; but that makes it the greater pity that there is so little of the best kind among all that mass of things over which men have toiled so."

"Of course there is always a great deal of poor work: the rarer things want that soil to grow in."

"O dear," said Dorothea, taking up that thought into the chief current of her anxiety, "I see it must be very difficult to do anything good. I have often felt since I have been in Rome that most of our lives would look much uglier and more bungling than the pictures, if they could be put on the wall."

Dorothea parted her lips again as if she were going to say more, but changed her mind and paused.

"You are too young—it is an anachronism for you to have such thoughts," said Will energetically, with a quick shake of the head habitual to him. "You talk as if you had never known any youth. It is monstrous—as if you had had a vision of Hades in your childhood, like the boy in the legend. You have been brought up in some of those horrible notions that choose the sweetest women to devour—like Minotaurs. And now you will go and be shut up in that stone prison at Lowick: you will be buried alive. It makes