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have created such an unprecedented sensation, as published (in part) in the great Literary Journal of the Union, the Saturday Courier, and copied in some 300 papers throughout the United States, are now in press, and wlll shortly be published in four handsome numbers of 112 octavo pages each, for 25 cents per No., or $1.00 for the whole work.

These Legends comprise the celebrated lectures on 1. 2., 3. and  of , 4. 5. The Life, Writings and Death of, 6. , Wayne, Muhlenburg, Sumpter, Marion, Lee, Allan McLane, etc., etc. They also will embrace scenes in the lives of prominent characters connected with the Revolution, Sir Henry Clinton, John Andre; 7. The of certain Suppositious Patriots; the most interesting lecture, reveals some of the "Mysteries" of our Revolution.

The following notices from the Public Press, of these Legends and other productions of George Lippard, furnishing the best idea of their character, that can be given in this limited space, are laid before the public by the.

The style of Mr. Lippard as a lecturer, is bold, nervous and impassioned: he speaks that style of oratory which is bound by no school; the elequence of deep feeling and vivid imagination. (Saturday Courier.)

Altogether, we must regard this series of four lectures, the increasing audience which attended each each successive lecture, and the remarkable power which Mr.Lippard has displayed as a speaker, as one of the greatest triumphs for a young man, that has come to our notice. (Daily Keystone.)

—The most thrilling and entertaining description of the battle of Brandywine, ever committed to paper (Lancaster Intelligencer.)

—Lippard is certainly one of the greatest men of genius now living: he is charmingly original, both as an author and a lecturer....an interesting lecture on Benedict Arnold. Although quite young, he has written and published several magnificent works of fiction, among which may be named, "the Lady Annabel" and "Quaker City." (Lebanon Courier, edited by H. Brewer, Esq.)

—This gentleman closed his series of lectures on Saturday evening, fully sustaining his reputation as a man of genius. He fully succeed in overcoming that mean and disreputable spirit which through envy would crush the noble efforts of a generous mind. The whole appearance of the young lecturer is prepossessing; a soft, dark, yet sparkling eye, intellectual forhead, commanding voice, whilst every feature of his countenance, under the excitement of lofty description becomes radient with intellectual light. He possesses a brilliant imagination, fine powers of description, and a flood of historical knowledge. With irrestesistable power, he keeps the attention of the audience enchained in breathless silence, as he leads them on, either to scenes of glowing health and beauty, or representations of the horrible and awful. (Carlisle Statesman, edited by J. M. Gitt, Esq.)

Although quite a young man, Mr. Lippard has already won for himself an enviable reputation as a brilliant and polished writer, indeed there are few if any, of the novelists of our land, whose works are sought after with greater activity. ... His stories of the Revolution excited universal admiration, not only on account of the lofty patriotism which breathed in every line, but for the stirring incidents, the beautiful imagery, the thrilling eloquence, with which he invested them. (Harrisburg Reporter, edited by I. R. Diller, Esq.)

—At this point of the lecture P appeared upon the scene, the struggles of the emigrant from the British isle, his days of poverty and toil in Philadelphia, while writing his great work ""—the tremendous effect which that work had on the public mind, preparing the way for the Declaration of Independence,—all were depicted with intense power. The death-bed of P, where alone, friendless, utterly desolate, the aged D laid himself down to die, with "no mildly—beautiful face of Jesus, to bend over the bed and smile immortality in his glazing eyes," closed this beautiful illustration. (McMakin's Saturday Courier.)

How shall I describe George Lippard, the Orator? To say that he is eloquent, extremely eloquent, would be saying much, but not enough. His style of eloquence is not of that dull prosiac, monotonous character, which is so commonly dignified, in our day and generation, oratory. It is of that species, which may be justly styled the eloquence of the heart, the purity of thought. The rich intonations of his musical, but manly voice, the tremulous motion of his small white hand and tapering fingers, the graceful gesticulations of his arms and body, lend a charm to his words; while his beautiful imagery and felicitous and striking powers of illustration, shed a halo of glory (if I may be allowed the expression) around the man, that is both diverse and inmitable. In a word he is a man of genius. It is impossible to describe his compositions. They are polished in style, pure in diction, and bold and beautiful in imagery, and rich in thought, while they are at the same time splendid in their delineations of the heroes, warriors and patriots of the Revolution. (T. McDowell, Esq., Harrisberg Correspondent of the Mountain Sentinel.)

The Legends of the Wissahikon were given with power; that of the old man, who (engaged in the American cause) was slain by his own son, a Tory spy, was given with an effect as thrilling as the tradition itself is terrible. (Ledger, Dec. 12, 1845.)

He, (George Lippard) is undoubtedly one of the best speakers of the day. (ibid.)

It was observable that the audience who listened to this lecture, was composed in a great part, of aged persons, especially members of the Friends. (ibid,)