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Such, in all probability—from the authority of unimpeachable traditions, and the remains now crumbling to ruins and overgrown with the forest at its base—such, was the Pyramid of Xochicalco, when it first rose aloft covered with its curious symbols of mystic rites, and received from the Indian builders its dedication to the gods, or to the glory of some sovereign whose bones were to moulder within. Who those builders and consecrators were no one can tell. There is no tradition of them or of the temple. When first discovered, no one knew to what it had been devoted, or who had built it. It had outlasted both history and memory!

But no matter who built, or what nation used it as temple or tomb, those who conceived and executed it were persons of taste, refinement and civilization; and I venture to assert, that no one who examines the figures with which it is covered, can fail to connect the designers with the people who dwelt and worshipped in the palaces and temples of Uxmal and Palenque.

Fragmentary fragment as this pyramid is, it may still be deemed in outline, material, carving, design, and execution, one of the most remarkable of the antiquities of America. It denotes, besides, an ancient civilization and architectural progress, that may well entitle the inhabitants of our Continent to the character of an Original race. On the other hand, (for those who are fond of tracing resemblances, and believe that whatever there was of art, science, or cultivation among the aborigines, came from the "old world,") there is much in the shape, proportions and sculptures of this pyramid, to connect its architects with the Egyptians.