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 and Puebla; and some few in the cathedrals of the same places, though scarcely to be seen, from their disadvantageous positions. Good pictures need not be looked for in the churches. No doubt they were once numerous, but they have been sacked from the country by invaders and others, and found a profitable market abroad.

In sculpture there is talent corresponding to that in painting. The stately system of burial, in the panteons, lends itself to sculpture and furnishes opportunities which with us are relegated to the commonplace tombstone-makers. The panteon is a solid city of the dead, walled in, paved, and with courts and arcades like a city of the living. The monument of greatest note is that, by Manuel Islas, at the Pantheon of San Fernando, to Benito Juarez, "the second Washington" of his country, old Padre Hidalgo having been the first. His effigy in marble, so realistic and corpse-like that it seems to have been modelled from an actual cast in plaster, lies upon a mausoleum, with a figure of Fame bending over it. The realism of the principal figure is almost repulsive, but it is redeemed by the grace of the angel, and nobody can deny to this large work great vigor and dignity.

The bodies are not buried, but sealed up in mausolea, or in niches in a wall, which present somewhat the aspect of a Roman columbarium. Some of the monuments are of the lovely Mexican onyx, with letters in gilt. I noted one bearing only the initials M. M. They were alluring to the curiosity, and on inquiring I found that it was that of Miramon, general-in-chief of Maximilian, who fell by the executioners' bullets, with his master, and General Mejia, at Queretero,