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 lessons from them, and even to burlesque them. Perhaps the most interesting development of all is found in our own time, a decided tendency to revamp the classical stories, though not always in the classical spirit—a kind of Pre-Raphaelite movement in poetry. Prominently in this class of poets should be named Walter Savage Landor, Edmund Gosse, Lewis and William Morris, and Frederick Tennyson; while many others have caught the same spirit and written n the same form.

The Latin text of this edition is based on that of Ehwald, published by Messrs. Weidmann, of Berlin, who have generously given permission to use it. All deviations of any importance from Ehwald's text have been noted, and Ehwald's readings given with their sources.

, March 1915. xii