Page:Meditations of the Emperor Marcus Antoninus - Volume 1 - Farquharson 1944.pdf/505

 Similarly every natural creation, tree and animal, has the power of employing its materials for its growth and maintenance. This power the physiologists of the school of Hippocrates, whose lead Galen followed, called Nature's 'justice', and Nature so at work they called 'artistic' nature.

Marcus concludes, from this common character of all 'natures', that the 'common' nature, being more perfect than its parts and including the Universe, could not be inferior to her parts in technical invention, in adaptation of means to her general ends, still less to the human crafts which imitate nature.

From this universal nature human justice is derived, and, he adds in Plato's manner, upon justice the rest of the virtues depend. This last point he proves by saying that if, for example, man is concerned for indifferent ends, for pleasure and praise, for health and wealth, he will destroy justice, which, as was said above, is right reason.

'''Chs. 11–12.''' From considerations about justice and social unity, the main subject of the Book, Marcus turns back to the self-realization from which he started in ch. 1. If the soul refuses to concern itself about what is indifferent to its moral health, about what lies outside its own choice, it can remain poised like the sphere of the Universe, illuminated by its own light. This light it turns upon objects, to secure truth, and upon itself, to enlighten its judgements and the impulses which depend for their efficacy upon reason.

'''Ch. 13.''' Kindness and gentleness, admonition of an offender without parade or self-sufficiency, are in private life the remedies against scorn and hate. This charity is made to rest upon a belief that God sees into men's hearts, and that no evil can befall him who is rightly disposed within and without, reconciled to his dispensation and aiming solely at his neighbour's good.

The reference to the Athenian statesman, Phocion, whom his fellow countrymen put to death, is puzzling in its apparent scepticism. Phocion is depicted by Plutarch as a model of strong wisdom and calm courage. Marcus seems to refer to the familiar story that as he drank the hemlock Phocion told his sons to bear no grudge against Athens. Rh