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In another part the biographer and student of Macha compares the several parts of the poem to classical operatic or symphonic works and says:

In his concluding remarks about the musical formation of the poem. Krejci pays attention to the insertion of the poet's name, "Hynek," in the last line and interprets this as indicative of the poet's subjective attitude. This, according to F. V. Krejci. is an admission that throughout the poem it is the poet rather than the fictitious characters that are speaking, and once again let me quote Krejci's remarks: