Page:Maurine and Other Poems (1910).pdf/19

 And must I still be sad for thee? Or wilt thou straightway come to me? Love, answer, I am near to thee, I come to thee.

The melody, so full of plaintive chords, Sobbed into silence—echoing down the strings Like voice of one who walks from us, and sings. Vivian had leaned upon the instrument The while they sang. But, as he spoke those words, “Love, I am near to thee, I come to thee,” He turned his grand head slowly round, and bent His lustrous, soulful, speaking gaze on me. And my young heart, eager to own its king, Sent to my eyes a great, glad, trustful light Of love and faith, and hung upon my cheek Hope’s rose-hued flag. There was no need to speak I crossed the room, and knelt by Helen. “Sing That song you sang a fragment of one night Out on the porch, beginning, ‘Praise me not,’” I whispered: and her sweet and plaintive tone Rose, low and tender, as if she had caught From some sad passing breeze, and made her own, The echo of the wind-harp’s sighing strain, Or the soft music of the falling rain.

SONG.

O praise me not with your lips, dear one! Though your tender words I prize. But dearer by far is the soulful gaze Of your eyes, your beautiful eyes, Your tender, loving eyes.

O chide me not with your lips, dear one! Though I cause your bosom sighs. You can make repentance deeper far By your sad, reproving eyes, Your sorrowful, troubled eyes.

Words, at the best, are but hollow sounds; Above, in the beaming skies, The constant stars say never a word, But only smile with their eyes— Smile on with their lustrous eyes.

Then breathe no vow with your lips, dear one;