Page:Maugham - Of Human Bondage, 1915.djvu/353

 Then he went on to say beautiful things about Amiel, the professor of Geneva, whose brilliancy promised achievement which was never fulfilled; till at his death the reason of his failure and the excuse were at once manifest in the minute, wonderful journal which was found among his papers. Hayward smiled enigmatically.

But Hayward could still talk delightfully about books; his taste was exquisite and his discrimination elegant; and he had a constant interest in ideas, which made him an entertaining companion. They meant nothing to him really, since they never had any effect on him; but he treated them as he might have pieces of china in an auction-room, handling them with pleasure in their shape and their glaze, pricing them in his mind; and then, putting them back into their case, thought of them no more.

And it was Hayward who made a momentous discovery. One evening, after due preparation, he took Philip and Lawson to a tavern situated in Beak Street, remarkable not only in itself and for its history—it had memories of eighteenth-century glories which excited the romantic imagination—but for its snuff, which was the best in London, and above all for its punch. Hayward led them into a large, long room, dingily magnificent, with huge pictures on the walls of nude women: they were vast allegories of the school of Haydon; but smoke, gas, and the London atmosphere had given them a richness which made them look like old masters. The dark panelling, the massive, tarnished gold of the cornice, the mahogany tables, gave the room an air of sumptuous comfort, and the leather-covered seats along the wall were soft and easy. There was a ram's head on a table opposite the door, and this contained the celebrated snuff. They ordered punch. They drank it. It was hot rum punch. The pen falters when it attempts to treat of the excellence thereof; the sober vocabulary, the sparse epithet of this narrative, are inadequate to the task; and pompous terms, jewelled, exotic phrases rise to the excited fancy. It warmed the blood and cleared the head; it filled the soul with well-being; it disposed the mind at once to utter wit and to appreciate the wit of others; it had the vagueness of music and the precision of mathematics. Only one of its qualities was comparable to anything else: it had the warmth of a good heart; but its taste, its smell, its feel, were not to be described in words. Charles Lamb, with his infinite tact, attempting to, might have drawn charming pictures of the life of his day; Lord Byron in a stanza of Don Juan, aiming at the impossible, might have achieved the sublime; Oscar Wilde, heaping jewels of Ispahan upon brocades of Byzantium, might have created a troubling beauty. Considering it, the mind