Page:Masterpieces of German literature volume 10.djvu/400

 the cupolas. Nearly all churches are higher than they are long and wide. The clumsy tetragonal pillars contract the already narrow space. One has nowhere a free view, and a mystic twilight reigns everywhere. The most famous Russian churches can only accommodate as many hundreds as a Gothic cathedral can thousands. It is true most of them were built by Italian masters; but the latter were obliged to conform to the rules and forms already in use.

Since the architectonic conditions were unfavorable to the creation of a magnificent whole, an attempt was made to ornament the individual parts with brilliancy and magnificence. Not contented to gild the churches inside and out, the floors were paved with half-precious stones, and the pictures (of no artistic value) were covered with jewels, diamonds, and pearls. Only the faces and hands are painted; the garments, crown, and all else are plated with silver, gold, and jewels.

Sculpture is entirely prohibited, as far as representing the human form is concerned; but they do not hesitate to represent God himself on canvas. The gilt background is of itself disadvantageous for the carnation of the pictures, and added to this are the long-drawn outlines of the Byzantine and old German schools, without the genuine feeling of the latter. Gigantic scarecrows gaze down from the cupolas, meant to represent the Virgin Mary, Christ, St. John, or God the Father. A Russian buys no holy picture that is not quite black or faded out. A lovely Madonna of Raphael, or a fine Sebastian of Correggio, does not seem to him expressive. His creed needs the obscurity of his church—the clouds of incense which at every mass veil the mysterious movements of the priests.

The Byzantine element in the Russian architecture is then historically easy to explain. The Moresque originated with the necessity of decorating the individual parts, and relates only to these.

The railings of the Ikonostase are interlaced with vines, garlands, and animal forms. The flat walls, principally where they are not gilt, are decorated with leafwork,