Page:Masterpieces of German literature volume 10.djvu/399

 South, the industrial centre without both, the interior without the coast, nor without the common joint stream, navigable for four hundred miles — the Volga. But, more than all this, the national spirit unites the most distant portions.

Moscow is now the national centre not only of the European Empire, but of the ancient and holy kingdom of the Czars, from which the historical reminiscences of the people spring, which, perhaps, is big with the destinies of the future empire in spite of a deviation of two centuries.

The foreign civilization which was forced upon them has never penetrated the mass of the people. The national peculiarity has remained complete in language, manners, and customs, in a highly remarkable municipal constitution, the freest and most independent existing anywhere; and, finally, in their architecture. The last can, of course, only be applied to the churches. In Russia nearly everything is new. What is older than a hundred years is looked upon as an antiquity. The Russian dwelling-house is of wood, and therefore never reaches that age, unless, like the one of Peter the Great, it be encased by a stone one. Even the palaces of the Emperor are new, and only here in Moscow can be found a ruin of the old Dworez of the Czars. There are churches in existence of the fourteenth and fifteenth centuries (a great age for Russia), and the strictly conservative spirit of the priesthood has been instrumental in retaining the same style of architecture in the later buildings.

The St. Sophia, in Constantinople, is the model upon which all Russian churches are built. It was imitated everywhere, but never equalled, not even by St. Mark's in Venice. There was lack both of material and skill to build an arch with a span of one hundred and twenty-six feet. What could not be accomplished in width was attempted in height. The domes became narrow and tall, like towers. The rough stone, handled without art, rendered clumsy pillars and thick walls necessary, in which the windows, like embrasures, are cut narrow and deep. The brightest light falls through the windows in the thinner wall which supports