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128 The success of the Tales was decisive and immediate. New editions were called for in 1810, 1816, and 1822; but in concession, no doubt, to Lamb's earnest remonstrances, only a certain portion of each contained the obnoxious plates; the rest were issued with "merely a beautiful head of our immortal dramatist from a much-admired painting by Zoust," as Godwin's advertisement put it. Subsequently an edition, with designs by Harvey, remained long in favour, and was reprinted many times. In 1837, Robert, brother of the more famous George Cruickshank, illustrated the book, and there was prefixed a memoir of Lamb by J. W. Dalby, a friend of Leigh Hunt and contributor to the London Journal. The Golden Treasury edition, already spoken of, has a dainty little frontispiece by Du Maurier, with which Lamb would certainly have found no fault.

No sooner were the Tales out of hand than Mary began a fresh task, as Charles tells Manning in a letter written at the end of the year (1806), wherein also is a glimpse of our friend Mr. Dawe not to be here omitted: "Mr. Dawe is turned author; he has been in such a way lately—Dawe the painter, I mean—he sits and stands about at Holcroft's and says nothing; then sighs and leans his head on his hand. I took him to be in love; but it seems he was only meditating a work, The Life of Morland. The young man is not used to composition."