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FREDERICK PALMER'S


 * A big American novel with a big American for its hero, one of the fine, simple, magnetic big stories that everybody reads and that live for years. Illustrated. $1.50.

PHILLPOTTS and BENNETT'S


 * Scene, England. Period, to-day. A fine specimen of the diplomatic novel, big in conception, powerful in plot and action, vigorously drawn. Illustrated. $1.50.

TYLER de SAIX'S


 * One of the most exciting detective stories since "Sherlock Holmes." Scene is London, hero a new Scotland Yard man who has to "make good," and does it. $1.50.

E. J. RATH'S


 * "Just an amazing yarn, set forth with so much vim and in so confident a vein that, though not really plausible, it is richly amusing."—New York Times. $1.50.

JAMES LOCKE'S


 * "One doesn't put it down after beginning it even though you know you must get up early to-morrow and it is now two o'clock."—New York Times Saturday Review. Illustrated. $1.50.

UPTON SINCLAIR'S


 * H. G. Wells writes of it: "'The Metropolis' is great. The author has all Zola's power over massed detail."


 * "It stands in a class by itself. It is a searchlight."—San Francisco Examiner.