Page:Marmion - Walter Scott (ed. Bayne, 1889).pdf/250



l. 204. 'At one corner of the burial-ground of the demolished chapel, but without its precincts, is a small mound, called Binram's Corse, where tradition deposits the remains of a necromantic priest, the former tenant of the chaplainry. His story much resembles that of Ambrosio in "The Monk," and has been made the theme of a ballad by my friend Mr. James Hogg, more poetically designed the Ettrick Shepherd. To his volume, entitled "The Mountain Bard," which contains this, and many other legendary stories and ballads of great merit, I refer the curious reader.'—.

l. 239. 'Loch-skene is a mountain lake, of considerable size, at the head of the Moffat-water. The character of the scenery is uncommonly savage; and the earn, or Scottish eagle, has, for many ages, built its nest yearly upon an islet in the lake. Loch-skene discharges itself into a brook, which, after a short and precipitate course, falls from a cataract of immense height and gloomy grandeur, called, from its appearance, the "Grey Mare's Tail." The "Giant's Grave," afterwards mentioned, is a sort of trench, which bears that name, a little way from the foot of the cataract. It has the appearance of a battery designed to command the pass.'—.

Cp. 'Loch Skene,' a descriptive and meditative poem by Thomas Tod Stoddart, well known as poet and angler on the Borders during the third quarter of the nineteenth century:

'''ll. 1-6.''' The earlier editions have a period at the end of l. 5, and neither Scott himself nor Lockhart changed that punctuation. But, undoubtedly, the first sentence ends with l. II, 'roll'd' in the second line being a part. and not a finite verb. Mr. Rolfe is the first to punctuate the passage thus.