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Greek text of this book is often difficult and in many places corrupt beyond cure, but no trouble has been spared to make the translation as accurate and idiomatic as possible. I have preferred to err, if error it be, on the side of over-faithfulness, because the physiognomy of the book owes so much to the method and style in which it is written. Its homeliness, abruptness, and want of literary finish (though it does not lack rhetoric) are part of the character of the work, and we alter this character by rewriting it into the terse, epigrammatic, staccato style so much in vogue at the present day. Another reason for literalness is that it makes a comparison with the Greek, printed beside it, easier for the unlearned. When a work has been translated so often as this one, it is difficult to be original without deviating further from the text, but I have not borrowed a phrase, scarcely a word, from any of my predecessors. If unconscious coincidences appear, it remains only to say Pereant vii