Page:Manhattan Transfer (John Dos Passos, 1925).djvu/415

Rh lighted waiting room. He sits smoking happily. He cant seem to remember anything, there is no future but the foggy river and the ferry looming big with its lights in a row like a darky's smile. He stands with his hat off at the rail and feels the riverwind in his hair. Perhaps he's gone crazy, perhaps this is amnesia, some disease with a long Greek name, perhaps they'll find him picking dewberries in the Hoboken Tube. He laughs aloud so that the old man who came to open the gates gave him a sudden sidelong look. Cookoo, bats in the belfry, that's what he's saying to himself. Maybe he's right. By gum if I were a painter, maybe they'll let me paint in the nuthouse, I'd do Saint Aloysius of Philadelphia with a straw hat on his head instead of a halo and in his hand the lead pipe, instrument of his martyrdom, and a little me praying at his feet. The only passenger on the ferry, he roams round as if he owned it. My temporary yacht. By Jove these are the doldrums of the night all right, he mutters. He keeps trying to explain his gayety to himself. It's not that I'm drunk. I may be crazy, but I dont think so

Before the ferry leaves a horse and wagon comes aboard, a brokendown springwagon loaded with flowers, driven by a little brown man with high cheekbones. Jimmy Herf walks round it; behind the drooping horse with haunches like a hatrack the little warped wagon is unexpectedly merry, stacked with pots of scarlet and pink geraniums, carnations, alyssum, forced roses, blue lobelia. A rich smell of maytime earth comes from it, of wet flowerpots and greenhouses. The driver sits hunched with his hat over his eyes. Jimmy has an impulse to ask him where he is going with all those flowers, but he stifles it and walks to the front of the ferry.

Out of the empty dark fog of the river, the ferryslip yawns all of a sudden, a black mouth with a throat of light. Herf hurries through cavernous gloom and out to a fog-blurred street. Then he is walking up an incline. There are tracks below him and the slow clatter of a freight, the hiss of an engine. At the top of a hill he stops to look back. He can see nothing but fog spaced with a file of blurred