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Rh still more, so that when it appears in the Daily Budget Rayburn won't recognize himself.

The girl's clever, though. All on her own, apparently, she's ferreted out the identity of the woman who was killed in my house. She was a Russian dancer called Nadina. I asked Anne Beddingfeld if she was sure of this. She replied that it was merely a deduction—quite in the Sherlock Holmes manner. However, I gather that she had cabled it home to Nasby as a proved fact. Women have these intuitions—I've no doubt that Anne Beddingfeld is perfectly right in her guess—but to call it a deduction is absurd.

How she ever got on the staff of the Daily Budget is more than I can imagine. But she is the kind of young woman who does these things. Impossible to withstand her. She is full of coaxing ways that mask an invincible determination. Look how she has got into my private car!

I am beginning to have an inkling why. Race said something about the police suspecting that Rayburn would make for Rhodesia. He might just have got off by Monday's train. They telegraphed all along the line, I presume, and no one of his description was found, but that says little. He's an astute young man and he knows Africa. He's probably exquisitely disguised as an old Kafir woman—and the simple police continue to look for a handsome young man with a scar, dressed in the height of European fashion. I never did quite swallow that scar.

Anyway, Anne Beddingfield is on his track. She wants the glory of discovering him for herself and the Daily Budget. Young women are very cold-blooded nowadays. I hinted to her that it was an unwomanly action. She laughed at me. She assured me that did she run him to