Page:Malot - Nobodys Boy, Crewe-Jones, 1916.djvu/99

 harp, and when you have a large audience the officer will arrive on the scene. I will make my appearance with the dogs. Then the farce will commence."

I did not at all like going alone the next day, but I knew that my master must be obeyed.

As soon as I got to our usual place I roped off an inclosure and commenced to play. The people came from all parts and crowded outside the ropes. By now I had learnt to play the harp and sing very well. Amongst other songs, I had learnt a Neapolitan canzonetta which was always greatly applauded. But to-day I knew that the crowd had not come to pay tribute to my talent. All who had witnessed the dispute with the officer the day before were present, and had brought their friends with them. The police are not liked at Toulouse, and the public were curious to see how the old Italian would come out, and what significance was attached to his parting words, "Until to-morrow, Signor." Several of the spectators, seeing me alone with Pretty-Heart, interrupted my song to ask if the "old Italian" was coming.

I nodded. The policeman arrived. Pretty-Heart saw him first. He at once put his clenched hands on his hips and began trotting around in a ridiculously important manner. The crowd laughed at his antics and clapped their hands. The officer glared at me angrily.

How was it going to end? I was rather ill at ease. If Vitalis were there he could reply to the