Page:Malot - Nobodys Boy, Crewe-Jones, 1916.djvu/225

 "We are going to take care of him," interrupted my new friend; "that is, if you will let us."

The commissioner was willing to confide me to his care and complimented him upon his kind act.

It is not easy for a child to hide much from a police officer who knows his business. They very soon trap persons into telling what they wish to hide. This was so in my case. The commissioner had quickly gleaned from me all about Garofoli.

"There is nothing to do but to take him to this chap, Garofoli," he said to one of his men. "Once in the street he mentions, he will soon recognize the house. You can go up with him and question the man."

The three of us started. As the officer had said, we found the street and the house. We went up to the fourth floor. I did not see Mattia. He had probably been taken off to the hospital. Upon seeing the officer and recognizing me, Garofoli paled and looked frightened, but he soon recovered himself when he learned that they had only come to question him about Vitalis.

"So the old fellow is dead?" he said.

"You know him? Well, tell us all you can about him."

"There is not much to tell. His name was not Vitalis. He was Carlo Balzini, and if you had lived thirty-five or forty years ago in Italy, that name alone would tell you all you want to know. Carlo Balzini was the greatest singer of the day. He sang in Naples, Rome, Milan, Venice, Florence,