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 54 regarded as of fundamental importance. His idea, which is somewhat confusing, is perhaps best understood from his comparison of plant structure with pillow lace. The "most unfeigned and proper resemblance we can," he writes, "at present make of the whole Body of a Plant, is, To a piece of fine Bone-Lace, when the Women are working it upon the Cushion, For the Pith, Insertions, and Parenchyma of the Barque, are all extream Fine and Perfect Lace-Work: the Fibres of the Pith running Horizontally, as do the Threds in a Piece of Lace; and bounding the several Bladders of the Pith and Barque, as the Threds do the several Holes of the Lace; and making up the Insertions without Bladders, or with very small ones, as the same Threds likewise do the close Parts of the Lace, which they call the Cloth-Work. And lastly, both the Lignous and Aer-Vessels, stand all Perpendicular, and so cross to the Horizontal Fibres of all the said Parenchymous Parts; even as in a Piece of Lace upon the Cushion, the Pins do to the Threds. The Pins being also conceived to be Tubular, and prolonged to any length; and the same Lace-Work to be wrought many Thousands of times over and over again, to any thickness or hight, according to the hight of any Plant. And this is the true Texture of a Plant."

Grew thus visualised the inner structure of the plant as a textile fabric, and the analogy between vegetable substance and woven threads seems to have been constantly present in his mind. The same idea also occurs, for instance, in the dedication of his magnum opus, where he says, "one who walks about with the meanest Stick, holds a Piece of Nature's Handicraft, which far surpasses the most elaborate Woof or Needle-Work in the World."

The notions at which Nehemiah Grew arrived on the subject of the vascular anatomy of plants were more advanced than his ideas on the ultimate nature of the tissues. There is no doubt that the comparison with animal anatomy, which was constantly in his mind, was on the whole helpful, though it led to some errors. The following paragraph, which occurs in the Cosmologia Sacra, seems to be an instance in which the analogy with the