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 Rh fate allowed him, attain that insight into more correct comparison of the plants whose morphology he studied which would have acted quickly on the mass of first hand observation he possessed.

It is well to be clear at the outset that it is the personality of William Griffith, his important detailed contributions to botany, and his achievement as a great working morphologist of his time that will interest us to-day—rather than his general views or any influence of these on the progress of botany. Griffith had the advantage or disadvantage of botany being his private study and not his profession. The motive force of his career was however his love of scientific work for its own sake.

William Griffith was a London botanist. He was the son of a London merchant, born on March 4, 1810, at Ham Common. Having finished school he began to prepare for the medical profession and was apprenticed to a surgeon in the West end of London. About 1829 he commenced attendance at the classes in the newly established University College. He had earlier in life shown an interest in natural history but was now specially devoted to botany. He attended Lindley's lectures, and also studied medical botany under Mr Anderson at the Apothecaries' Garden in Chelsea. There he obtained the Linnean Gold Medal given by the Society of Apothecaries. At this time also he was a frequent visitor to Kew Gardens where he was on good terms with the head gardener and also came under the influence of Mr Bauer the great botanical draughtsman of his day. Griffith was never tired of expressing his admiration for Bauer as an accurate observer. During his vacations Griffith made botanical excursions in England, carrying his light baggage and his equipment for collecting plants.

That the training that Griffith received in botany in the London University of that date was a sound one is shown by his power of facing the most various problems when cast on his own resources immediately at the close of his University training. The soundness of his training is further shown by the small pieces of original work he had published before leaving England at the age of 22. Not only had he made some of the