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 anatomy, and there was one statue of an athlete which attracted his prolonged attention, because the muscles were indicated with the precision of a plate in a surgical text-book. When Margaret talked of the Greeks’ divine repose and of their blitheness, he thought it very clever because she said it; but in a man it would have aroused his impatience.

Yet there was one piece, the charming statue known as La Diane de Gabies, which moved him differently, and to this presently he insisted on going. With a laugh Margaret remonstrated, but secretly she was not displeased. She was aware that his passion for this figure was due, not to its intrinsic beauty, but to a likeness he had discovered in it to herself.

It stood in that fair wide gallery where is the mocking faun, with his inhuman savour of fellowship with the earth which is divine, and the sightless Homer. The goddess had not the arrogance of the huntress who loved Endymion, nor the majesty of the cold mistress of the skies. She was in the likeness of a young girl, and with collected gesture fastened her cloak. There was nothing divine in her save a sweet strange spirit of virginity. A lover in ancient Greece, who offered sacrifice before this fair image, might forget easily that it was a goddess to whom he knelt, and see only an earthly maid all fresh with youth and chastity and loveliness. In Arthur’s eyes Margaret had all the exquisite grace of that statue, and the same unconscious composure; and in her also breathed the spring odours of ineffable purity. Her features were chiselled with the clear