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iv With this lamentable example before me, I trust that in the following sketches I have abstained from any positive moral. I might have painted my villains of the blackest dye,—so black, indeed, that the originals thereof would have contemplated them with the glow of comparative virtue. I might have made it impossible for them to have performed a virtuous or generous action, and have thus avoided that moral confusion which is apt to arise in the contemplation of mixed motives and qualities. But I should have burdened myself with the responsibility of their creation, which, as a humble writer of romance and entitled to no particular reverence, I did not care to do.

I fear I cannot claim, therefore, any higher motive than to illustrate an era of which Californian history has preserved the incidents more often than the character of the actors,—an era which the panegyrist was too often content to bridge over with a general compliment to its survivors,—an era still so recent that in attempting to revive its poetry, I am conscious also of awakening the more prosaic recollections of these same survivors,—and yet an era replete with a certain heroic Greek poetry, of which perhaps none were more unconscious than the heroes themselves. And I shall be quite content to have collected here merely the materials for the Iliad that is yet to be sung.


 * , December 24, 1869.