Page:Lords of the Housetops (1921).pdf/147

 father of the little girl who owned him was almost convincing when he declared that the young cat was half broncho and half Malay pirate—though, in the light of Gipsy's later career, this seems bitterly unfair to even the lowest orders of bronchos and Malay pirates.

No; Gipsy was not the pet for a little girl. The rosy hearthstone and sheltered rug were too circumspect for him. Surrounded by the comforts of middle-class respectability, and profoundly oppressed, even in his youth, by the Puritan ideals of the household, he sometimes experienced a sense of suffocation. He wanted free air and he wanted free life; he wanted the lights, the lights, and the music. He abandoned the bourgeoisie irrevocably. He went forth in a May twilight, carrying the evening beefsteak with him, and joined the underworld.

His extraordinary size, his daring, and his utter lack of sympathy soon made him the leader—and, at the same time, the terror—of all the loose-lived cats in a wide neighbourhood. He contracted no friendships and had no confidants. He seldom slept in the same place twice in succession, and though he was wanted by the police, he was not found. In appearance he did not lack distinction of an ominous sort; the slow, rhythmic, perfectly controlled mechanism of his tail, as he impressively walked abroad, was incomparably sinister. This stately and dangerous walk of his, his long, vibrant whiskers, his scars, his yellow eye, so ice-cold, so fire-hot, haughty as the eye of Satan, gave him the deadly air of a mousquetaire duellist. His soul was in that walk and in that eye; it could be read—the soul of a