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 public-house at Islington, but as we here lose the aid of her narrative, her movements at this epoch are uncertain. She finally had recourse to her pen for subsistence, and began the publication of her memoirs. Her next production was a novel, and a graphic picture has been given of her home at this period. When the publisher with a friend called for the purpose of purchasing her manuscript, she was living in a wretched hut near the Clerkenwell prison. The furniture consisted of a dresser extremely clean, ornamented with a few plates; and a fractured pitcher stood underneath it. A gaunt domestic guarded the establishment, while on a broken chair by the grate sat the mistress in her strange attire. A monkey was perched on one hob, a cat on the other, at her feet lay a half-starved cur, and a magpie chattered from her chair. The remains of a pair of bellows laid upon her knees served as a desk, her inkstand was a broken teacup, and her solitary pen was worn to the stump. On her visitors seating themselves on a rough deal board, for there was not a second chair in the room, she began with her beautiful, clear voice to read from the manuscript before her, and asked thirty guineas for the copyright. The grim handmaiden stared aghast at the enormity of the demand. The iron-hearted publisher proposed five pounds, but finally doubled the sum, and offered in addition fifty copies of the work. The bargain was struck, and the authoress was left in temporary affluence. From this time Mrs. Charlotte Charke disappears from our view, and she died shortly afterwards on the 6th of April, 1760.

So strange a story could hardly be paralelled [sic] from the wildest pages of romance. Through an infinite variety of endeavours, success never once shone upon her path, and old age found her in a state of the most abject penury. After so fitful a fever, how welcome must have been the advent of repose.