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100 us not. For all that we invent doth please us in the conception or birth, else we should never set it downe. But the safest is to returne to our judgement, and hand over again those things, the easinesse of which might make them justly suspected. So did the best writers in their beginnings. They imposed upon themselves care and industry. They did nothing rashly. They obtained first to write well, and then custome made it easie and a habit. By little and little, their matter showed itself to them more plentifully, their words answered, their composition followed; and all as in a well-ordered family, presented itselfe in the place. So that the summe of all is, ready writing makes not good writing; but good writing brings on ready writing: yet when wee thinke wee have got the faculty, it were then good to resist it, as to give a horse a check sometimes with a bit which doth not so much stop his course as stirre his metal."

Of Shakespeare he says: "I remember the players have often mentioned it as an honour to Shakespeare that in writing (whatsoever he penned) he never blotted out a line. My answer had been, 'Would he had blotted a thousand!' which they thought a malevolent speech. I had not told posterity this, but for their ignorance, who chose that circumstance to commend their friend by, wherein he most faulted; and to justify mine own candour; for I loved the man, and do honour his memory on this side idolatry, as much as any. Ha was indeed honest, and of an open and free nature; had an excellent fancy, brave notions, and gentle expressions; wherein he flowed with that facility, that sometimes it was necessary he should be stopped. 'Sufflaminandus erat,' as Augustus said of Haterius. His wit was in his own power. Would the rule of it had been so too! Many times he fell into those things which could not escape laughter; as when he