Page:Lives of Fair and Gallant Ladies Volume II.djvu/17

Rh Germain, Chantilly, Chambord and Chenonceaux were by no means inexpensive. Great interest was also taken in literary things. A more refined French was developed at this period. In Blois a library, Chambre de Librarye, was established. All of the Valois had great talent in composing poetic epistles, songs and stories, not merely Marguerite of Navarre, the sister of Francis I., who following the example of her brother was a patroness of the arts. To be sure, mention is also made of the "terrifying immorality" in Pau, even though this may not have been so bad. Brantôme is already connected with this court life in Pau. His grandmother, Louise of Daillon, Seneschal of Poitiers, was one of the most intimate ladies-in-waiting of the Queen of Navarre. His mother, Anne of Bourdeille, is even introduced in several stories of the Heptameron. She is called Ennasuite, and his father Francis of Bourdeille appears as Simontaut. Life in the Louvre became more and more lax. Francis I., this royal Don Juan, is even said to have been a rival of his son, without our knowing, however, whether this refers to Catherine of Medici or to Diana of Poitiers. Another version of the story makes Henri II. a rival of his father for the favor of Diana of Poitiers. But the well known revenge of that deceived nobleman which caused the death of Francis I. was entirely unnecessary. It is said that the king had been intentionally infected. He could not be healed and died of this disease. At any rate, his body was completely poisoned by venereal ulcers, when he died. This physical degeneration was a terrible heritage which he left to his son, Henri II. (1547-1550).

The latter had in the meantime married Catherine of Medici. Italian depravities now crossed the Alps in even greater numbers. She was followed by a large number of astrologers, dancers, singers, conjurors and musicians who were like a plague of locusts. She thus accelerated the cultural process, she steeped the court of Henri II. as well as that of his three sons in the spirit of Italy and Spain. (The numerous citations of Brantôme indicate the frequency and closeness of