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Rh just come out of the Doria Palace, where he had been walking through the beautiful gallery. His friend talked for a moment about the superb portrait of Innocent X. by Velasquez, which hangs in one of the cabinets of the palace, and then said, "And in the same cabinet, by the way, I had the pleasure of contemplating a picture of a different kind — that pretty American girl whom you pointed out to me last week." In answer to Winterbourne's inquiries, his friend narrated that the pretty American girl — prettier than ever — was seated with a companion in the secluded nook in which the great papal portrait was enshrined.

"Who was her companion?" asked Winterbourne.

"A little Italian with a bouquet in his button-hole. The girl is delightfully pretty, but I thought I understood from you the other day that she was a young lady du meilleur monde."

"So she is!" answered Winterbourne; and having assured himself that his informant had seen Daisy and her companion but five minutes before, he jumped into a cab and went to call on Mrs. Miller. She was at home; but she apologized to him for receiving him in Daisy's absence.

"She's gone out somewhere with Mr. Giovanelli," said Mrs. Miller. "She's always going round with Mr. Giovanelli."

"I have noticed that they are very intimate," Winterbourne observed.

"Oh! it seems as if they couldn't live without each other!" said Mrs. Miller. "Well, he's a real gentleman anyhow. I keep telling Daisy she's engaged!"

"And what does Daisy say?"

"Oh, she says she isn't engaged. But she might as well be!" this impartial parent resumed. "She goes on as if she was. But I've made Mr. Giovanelli promise to tell me, if she doesn't I should want to write to Mr. Miller about it — shouldn't you?"

Winterbourne replied that he certainly should; and the state of mind of Daisy's mamma struck him as so unprecedented in the annals of parental vigilance that he gave up as utterly irrelevant the attempt to place her upon her guard.

After this Daisy was never at home, and Winterbourne, ceased to meet her at the houses of their common acquaintance, because, as he perceived, these shrewd people had quite made up their minds that she was going too far. They ceased to invite her, and they intimated that they desired to express to observant Europeans the great truth that, though Miss Daisy Miller was a young American lady, her behavior was not representative — was regarded by her compatriots as abnormal. Winterbourne wondered how she felt about all the cold shoulders that were turned towards her, and sometimes it annoyed him to suspect that she did not feel at all. He said to himself that she was too light and childish,, too uncultivated and unreasoning, too provincial, to have reflected upon her ostracism or even to have perceived it. Then at other moments he believed that she carried about in her elegant and irresponsible little organism a defiant, passionate, perfectly observant consciousness of the impression she produced. He asked himself whether Daisy's defiance came from the consciousness of innocence or from her being, essentially, a young person of the reckless class. It must be admitted that holding one's self to a belief in Daisy's "innocence" came to seem to Winterbourne more and more a matter of fine-spun gallantry. As I have already had occasion to relate, he was angry at finding himself reduced to chopping logic about this young lady; he was vexed at his want of instinctive certitude as to how far her eccentricities were generic, national, and how far they were personal. From either view of them he had somehow missed her, and now it was too late. She was "carried away" by Mr. Giovanelli.

A few days after his brief interview with her mother, he encountered her in that beautiful abode of flowering desolation known as the Palace of the Caesars. The early Roman spring had filled the air with bloom and perfume, and the rugged surface of the Palatine was muffled with tender verdure. Daisy was strolling along the top of one of those great mounds of ruin that are embanked with mossy marble and paved with monumental inscriptions. It seemed to him that Rome had never been so lovely as just then. He stood looking off at the enchanting harmony of line and color that remotely encircles the city, inhaling the softly humid odors and feeling the freshness of the year and the antiquity of the place reaffirm themselves in mysterious interfusion. It seemed to him also that Daisy had never looked so pretty; but this had been an observation of his whenever he met her. Giovanelli was at her side, and Giovanelli, too, wore an aspect of even unwonted brilliancy.

"Well," said Daisy, "I should think you would be lonesome!"

"Lonesome?" asked Winterbourne.

"You are always going round by 