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230 just as good. So you ought to have come." She asked him no other question than this; she began to prattle about her own affairs. "We've got splendid rooms at the hotel; Eugenio says they're the best rooms in Rome. We are going to stay all winter—if we don't die of the fever; and I guess we'll stay then. It's a great deal nicer than I thought; I thought it would be fearfully quiet; I was sure it /would be awfully poky. I was sure we should be going round all the time with one of those dreadful old men that explain about the pictures and things. But we only had about a week of that, and now I'm enjoying myself. I know ever so many people, and they are all so charming. The society's extremely select. There are all kinds — English, and Germans, and Italians. I think I like the English best. I like their style of conversation. But there are some lovely Americans. I never saw anything so hospitable. There's something or other every day. There's not much dancing; but I must say I never thought dancing was everything. I was always fond of conversation. I guess I shall have plenty at Mrs. Walker's — her rooms are so small." When they had passed the gate of the Pincian Gardens, Miss Miller began to wonder where Mr. Giovanelli might be. "We had better go straight to that place in front," she said, "where you look at the view."

"I certainly shall not help you to find him," Winterbourne declared.

"Then I shall find him without you," said Miss Daisy.

"You certainly won't leave me!" cried Winterbourne.

She burst into her little laugh. "Are you afraid you'll get lost — or run over? But there's Giovanelli, leaning against that tree. He's staring at the women in the carriages: did you ever see anything so cool?"

Winterbourne perceived at some distance a little man standing with folded arms, nursing his cane. He had a handsome face, an artfully poised hat, a glass in one eye, and a nosegay in his buttonhole. Winterbourne looked at him a moment and then said, "Do you mean to speak to that man?"

"Do I mean to speak to him? Why, you don't suppose I mean to communicate by signs?"

"Pray understand, then," said Winterbourne, "that I intend to remain with you."

Daisy stopped and looked at him, without a sign of troubled consciousness in her face; with nothing but the presence of her charming eyes and her happy dimples. "Well, she's a cool one!" thought the young man.

"I don't like the way you say that," said Daisy. "It's too imperious."

"I beg your pardon if I say it wrong. The main point is to give you an idea of my meaning."

The young girl looked at him more gravely, but with eyes that were prettier than ever. "I have never allowed a gentleman to dictate to me, or to interfere with anything I do."

"I think you have made a mistake," said Winterbourne. "You should sometimes listen to a gentleman — the right one."

Daisy began to laugh again. "I do nothing but listen to gentlemen!" she exclaimed. "Tell me if Mr. Giovanelli is the right one?"

The gentleman with the nosegay in his bosom had now perceived our two friends, and was approaching the young girl with obsequious rapidity. He bowed to Winterbourne as well as to the latter's companion; he had a brilliant smile, an intelligent eye; Winterbourne thought him not a bad-looking fellow. But he nevertheless said to Daisy, "No, he's not the right one."

Daisy evidently had a natural talent for performing introductions; she mentioned the name of each of her companions to the other. She strolled along with one of them on each side of her; Mr. Giovanelli, who spoke English very cleverly — Winterbourne afterwards learned that he had practised the idiom upon a great many American heiresses — addressed her a great deal of very polite nonsense; he was extremely urbane, and the young American, who said nothing, reflected upon that profundity of Italian cleverness which enables people to-appear more gracious in proportion as they are more acutely disappointed. Giovanelli, of course, had counted upon something more intimate; he had not bargained for a party of three. But he kept his temper in a manner which suggested far-stretching intentions. Winterbourne flattered himself that he had taken his measure. "He is not a gentleman," said the young American; "he is only a clever imitation of one. He is a music-master, or a penny-a-liner, or a third-rate artist. Damn his good looks!" Mr. Giovanelli had certainly a very pretty face; but Winterbourne felt a superior indignation at his own lovely countrywoman's not knowing the difference 