Page:Literary pilgrimages of a naturalist (IA literarypilgrima00packrich).pdf/98

 *sand prisms of scintillant light. The dancing night winds had shaken all the rich odors from the white clethra blooms that grow all about the pond's rim and stored them along its surface, and to swim out toward the center was to enter a sweetly perfumed bath. The forest to eastward, full of black density, as it was, could not bar out the rose of the morning from the sight. Instead it stood in a silhouetted fretting against it and let its glow shine through a million tiny windows of the day, blossoming again in the ripples ahead. Here was a moving picture of the blooming and vanishing of pink meadow-flowers, flashing a brief life upon the film, vanishing and growing again. The cinematograph is nothing new. Walden has operated it for those who will swim toward the dawn in its waters since the centuries began. In our theaters we are but tawdry imitators of its film productions.

Chin deep in its middle you begin to feel that you know the pond. In a sense you are its eye and look upon the world as it does. Day breaks for the swimmer as it does for Walden, and the flash of the sun above the wood to eastward warms