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 thus much in justice to our good Seagrave, whose replies to Mr. Johnson's aggravating letters have been represented to Mr. Rose in an unfair light, as I have no doubt; because Mr. Johnson has, at times, written such letters to me as would have called for the sceptre of Agamemnon rather than the tongue of Ulysses, and I will venture to give it as my settled opinion that if you suffer yourself to be persuaded to print in London you will be cheated every way; but, however, as some little excuse, I must say that in London every calumny and falsehood utter'd against another of the same trade is thought fair play. Engravers, Painters, Statuaries, Printers, Poets we are not in a field of battle but in a City of Assassinations, This makes your lot truly enviable, and the country is not only more beautiful on account of its expanded meadows, but also on account of its benevolent minds. My wife joins with me in the hearty wish that you may long enjoy your beautiful retirement.

I am, with best respects to Miss Poole, for whose health we constantly send wishes to our spiritual friends,

Yours sincerely,

William Blake.

P.S.—Mr. Walker says that Mr. Cumberland is right in his reckoning of Romney's age. Mr. W. says Romney was two years older than himself, consequently was born 1734.

Mr. Flaxman told me that Mr. Romney was three years in Italy; that he returned twenty-eight years since. Mr. Humphry, the Painter, was in Italy the same time with Mr. Romney, Mr. Romney lodged at Mr. Richter's, Great Newport Street, before he went; took the house in Cavendish Square immediately on his return; but as Flaxman has promised to put pen to paper you may expect a full account of all he can collect. Mr, Sanders does not know the time when Mr. R. took or left Cavendish Square house.

In the sequel, Blake's portrait of Romney was laid aside and the Sketch of a Shipwreck, a fine and characteristic bit of engraving, was his sole contribution to the Life. Of the remaining eleven plates, all, save one, after pictures by Romney, most were engraved by Caroline Watson, in her very fascinating style, bold and masterly, yet graceful. The Infant Shakespeare, Sensibility, Cassandra, Miranda are well known to the collector. One of the engravings, a poor Head of Christ, is